Posted 18 hours ago

"You’re an idiot anyway. But if you say you get along with your parents, well, you’re a liar too"

Posted 18 hours ago

from-providence-to-phoenix:

angrynerdyblogger:

pr1nceshawn:

When it comes to cooking, not everyone is at the same skill level

*gordon ramsay voice* what the fuck is this

this is infomercial level shit

Posted 18 hours ago
Posted 18 hours ago

smallcitysecrets:

pizza-party-in-the-tardis:

thebloggerbloggerfun:

smallcitysecrets:

I simultaneously feel like I’m a toddler and a thousand years old.

image

image

I can’t believe this happened to me.

Posted 18 hours ago
Male privilege is “I have a boyfriend” being the only thing that can actually stop someone from hitting on you because they respect another man more than they respect your rejection/lack of interest.

The Sociological Cinema

There was actually research that was done that found that women who used an “I have a boyfriend/husband” excuse to reject unwanted sexual attention and harassment by their bosses were more likely to be left alone than those who used any other excuse (including “I’m not interested”)

Because men respect another man’s property (and that’s how they see us) than a woman’s autonomy.

(via stanhowse)

(Source: queerintersectional)

Posted 18 hours ago

You want to say Hi to the cute girl on the subway. How will she react? Fortunately, I can tell you with some certainty, because she’s already sending messages to you. Looking out the window, reading a book, working on a computer, arms folded across chest, body away from you = do not disturb. So, y’know, don’t disturb her. Really. Even to say that you like her hair, shoes, or book. A compliment is not always a reason for women to smile and say thank you. You are a threat, remember? You are Schrödinger’s Rapist. Don’t assume that whatever you have to say will win her over with charm or flattery. Believe what she’s signaling, and back off.

If you speak, and she responds in a monosyllabic way without looking at you, she’s saying, “I don’t want to be rude, but please leave me alone.” You don’t know why. It could be “Please leave me alone because I am trying to memorize Beowulf.” It could be “Please leave me alone because you are a scary, scary man with breath like a water buffalo.” It could be “Please leave me alone because I am planning my assassination of a major geopolitical figure and I will have to kill you if you are able to recognize me and blow my cover.”

On the other hand, if she is turned towards you, making eye contact, and she responds in a friendly and talkative manner when you speak to her, you are getting a green light. You can continue the conversation until you start getting signals to back off.

The fourth point: If you fail to respect what women say, you label yourself a problem.

There’s a man with whom I went out on a single date—afternoon coffee, for one hour by the clock—on July 25th. In the two days after the date, he sent me about fifteen e-mails, scolding me for non-responsiveness. I e-mailed him back, saying, “Look, this is a disproportionate response to a single date. You are making me uncomfortable. Do not contact me again.” It is now October 7th. Does he still e-mail?

Yeah. He does. About every two weeks.

This man scores higher on the threat level scale than Man with the Cockroach Tattoos. (Who, after all, is guilty of nothing more than terrifying bad taste.) You see, Mr. E-mail has made it clear that he ignores what I say when he wants something from me. Now, I don’t know if he is an actual rapist, and I sincerely hope he’s not. But he is certainly Schrödinger’s Rapist, and this particular Schrödinger’s Rapist has a probability ratio greater than one in sixty. Because a man who ignores a woman’s NO in a non-sexual setting is more likely to ignore NO in a sexual setting, as well.

So if you speak to a woman who is otherwise occupied, you’re sending a subtle message. It is that your desire to interact trumps her right to be left alone. If you pursue a conversation when she’s tried to cut it off, you send a message. It is that your desire to speak trumps her right to be left alone. And each of those messages indicates that you believe your desires are a legitimate reason to override her rights.

For women, who are watching you very closely to determine how much of a threat you are, this is an important piece of data.

an excerpt from Phaedra Starling’s “Schrödinger’s Rapist: or a guy’s guide to approaching strange women without being maced” (via lostgrrrls)

women being afraid of Shrodinger’s Rapists (oh my god i still can’t get over the encompassing brilliance of this phrase) is a conditioned, learned response from being immersed in rape culture and the evolution of sexism and sexual violence in our society from the day we’re born. And unfortunately, it’s very difficult to unlearn without the efforts of all genders to dismantle it. Which is where you come in.

(via 5000letters)

Posted 18 hours ago

celerysticks4life:

shakemedownandout:

hylandbenoist:

getsby:

koolkidseatgreens:

Well ok Kesha, maybe it’s because you’re an auto tuned peice of shit who shouldn’t be famous, you have no Buisness being in the music industry, it’s not even your music you fuck, someone else wrote it for you to record and them to auto tune yourself. And it’s not at all good . It’s not positive either. So complain some more.

I don’t know if you know this, tumblr user koolkidseatgreens, but Ke$ha is a certified genius. She has an IQ over 140 and an SAT score of 1500. When she was younger she would go to the library and do research for fun. Ke$ha is a both feminist and an advocate for equal marriage/rights for people of any sexuality, being a queer woman herself.

Ke$ha is a smart, professional woman, and just because she sings songs about wanting to let loose and have fun every once in a while doesn’t make her a piece of shit.

Ke$ha’s songs are meant to point out the sexism in our media. She treats men the same way many men in the music industry treat women, and she is hated on for it. Relentlessly. She sings on multiple occasions about taking charge in a sexual relationship, of how she only uses men for their body parts. She sexualizes men to make them uncomfortable. She sexualizes men for a reaction, so that people can both see why women are so uncomfortable with their sexualization and also to point out the inequality between the sexes both in the media and in the world at large.

She is judged so harshly for singing about things that make many men famous.

If you listen to Ke$ha’s deconstructed album you will see that she actually has some talent, which may be hard to hear because she does in fact use a fair amount of autotune. This is because of her genre and because of the kind of music she chooses to create as an artist. Ke$ha may not write her songs, but this doesn’t meant she isn’t a good artist or a good person. This doesn’t mean she deserves your harsh words. Some singers are good at writing, but that’s hardly a requirement. Last time I checked whether or not you can sing has nothing to do with whether or not you’re a poet.

You should not be calling anyone a piece of shit, my friend, especially someone you’ve never sat down and had a conversation (or even taken the time to wonder about her feelings!), but if anyone deserves that kind of language it’s not Ke$ha.

You may think that by shaming women for expressing their sexuality and having fun every once in a while, that you are somehow abolishing sexism. That in weeding out the less ‘deserving’ women you are gaining our sex more respect. This is not the case, and the fact that you and many others feel such a strong need to shame this woman who has done nothing wrong, especially not to you, shows that we still have a very far away to go.

Um I’m just going to add, Ke$ha actually does write her own songs. For example, here’s her first album’s tracklist:

image

She has also written for other artists, probably most famously “‘Till The World Ends” by Britney Spears, which is part of why she’s on the remix of it. She wrote for years and was even the female voice on Flo Rida’s “Right Round” but refused to be credited because she didn’t want her first single to not be her own work. She spent years, starting at the age of 15, writing music before she came out with her album because she wanted to make sure it was all her own and all what she wanted to do.

You can even get all her unreleased music which, combined with her actual albums, is 10.3 hours according to my iTunes playlist. Some artists have been around for twice as long as her and haven’t written that many songs. 

Not only have critics proclaimed she could be a country star if she ever leaves the pop music business (which is showcased on her unreleased track “Goodbye”), but she’s actually the daughter of a very talented country songwriter. Her music is actually fairly well praised by the music critics community and if you listened to any of her songs that her record won’t let her release as singles—“Last Goodbye”, “The Harold Song”, “Only Wanna Dance With You”, any of her ballads—she can write multiple styles of songs. She’s just stuck in a box of what she can release and then shallow minded people call her dumb for having fun.

That’s a big fuck you for hating Ke$ha.

THIS. ALL OF THIS. ALL OF IT. EVERYWHERE. ALWAYS.

(Source: lannisturnt)

Posted 18 hours ago
Posted 18 hours ago

hermionejg:

Here making sure that you don’t miss Natalie Tran’s latest video.

Posted 18 hours ago
crustified-again:

corgisandboobs:

thesuperjew:

The turtle cavalry is serious shit

"Onward, alligator steed!""I’m a crocodile.""Silence, water horse!"

The one in the back looks like it’s wearing a turtle for a hat

crustified-again:

corgisandboobs:

thesuperjew:

The turtle cavalry is serious shit

"Onward, alligator steed!"
"I’m a crocodile."
"Silence, water horse!"

The one in the back looks like it’s wearing a turtle for a hat

(Source: animals-riding-animals)